I’ve just finished binge-watching the BBC’s
new adaptation of A Christmas Carol. Did you see it? Victorian novels, and
Dickens in particular, are my thing, so you could be excused for thinking that
I’d swoon dead away at the liberties taken with the original text. Where were
the cosy scenes of middle-class Victorian life? Whence the beaming Cratchit
daughters and their twice-turned dresses? The Ghost of Christmas Past effing
and jeffing? Mrs Cratchit as a Sweary Mary? Do me a flavour!
Rather than the traditional elderly man in
a nightgown, we have gauntly handsome Guy Pearce brooding in his echoing
Georgian townhouse. Bob Cratchit is simmering with barely-suppressed rage in
the counting house. Mrs Cratchit has more on her mind than the Christmas goose
and the pudding. Marley has a long lead-in, staggering through the snow after
the Ghost of Christmas Past and watching his treasured childhood toy being
hurled on to a symbolic fire. Hung about with manacles, he finally makes his
appearance by his business partner’s meagre fireside. It’s not just Scrooge’s
soul which is on the line, but his own, which can only be plucked from the snowy
wastes of purgatory by the flint-hearted protagonist.
I didn’t see much TV this Christmas. I
meant to, but with seven of us in the house (aged respectively 94, 89, 53x2,
16, 13 and 11) it was hard to find something that we all liked. On Christmas
Day, I sat with my parents watching the lovely Gareth Malone as he formed a
choir at Watford General Hospital. You know what you’re getting with Gareth.
Heart-warming vignettes, cheerful optimism that getting a choir together will
lift spirits and build community and a final joyful pay-off as the voices are
raised in song. We had all that. But there was something else lurking beneath
the surface of cheery Christmas songs and the reassuring voice-over. Something
not a million miles away from the Cratchits barely getting by, the workers
toiling in a creaking system while their rights are taken away one by one and
profit taking precedence over compassion any day.
Gareth has several significant
conversations with an anaesthetist in the hospital corridors. She’s struggling
to get to rehearsals because there’s so much work to do. People, her patients,
her colleagues, her two little boys at home are relying on her. She remembers
the little bits of magic that used to twinkle in the hospital at Christmas, but
now they’re all gone. Her face, tired, tearful yet determined, could stand for
so many, back in 1843 and now.
We’re in the dying embers of 2019, 176
years after A Christmas Carol was written. The emaciated, bent, prematurely
aged figures of two children, Ignorance and Want, haunt Scrooge’s footsteps in
the original novella. If we carry on putting profit, and money, and progress
ahead of compassion and basic human rights, argues Dickens, where will we end
up? Quite possibly in a hospital in Watford where staff work themselves to the
bone because they care so much about their patients and where there aren’t
enough beds or enough funding.
Since I started this blog in October, I’ve
been asking myself the question, “What makes me a writer?” Today, with this,
for the first time, my query is, “What is writing for?” Often, I think, it’s to
shine a light on what is going on. That’s what Dickens did in his revolutionary
19th century novella, holding a mirror up to his society.
Watching Scrooge race through the snowy
streets to save Tiny Tim and release the Cratchits from his icy grasp, my heart
lifted. Here at last was the moment I’d been waiting for – repentance, forgiveness,
the famous line. But no. It never came. The loose ends weren’t tied up. Scrooge
still has a long way to go but he’s made a start. The moment where he stands in
his office gazing up at the glassy ceiling where Tiny Tim takes his fateful skate
was so clever, so multi-layered, so – well, writerly – that it fired off
the neurons in my brain to start writing this.
Is the pen mightier than the sword? Sure
is. Can words change a society? I hope so. Will 2020 be a year of changes, of
progress, of compassion? We can only pray that it is.
So, to all of you, a Happy New Year, and
dare I say it, God bless us, everyone.
Well written and thought- provoking
ReplyDeleteThanks Kate
DeleteI too watched the new dramatisation of A Christmas Carol and I found it a bold re-imagining of Dickens' story. But I agree the end was foreshortened and we didn't see Scrooge's full redemption which made me feel a little let down.
ReplyDeleteI hoped for a little more, but maybe they were leaving it to our imagination. He's selling Scrooge and Marley so maybe he will go on to become a philanthropist
DeleteGreat post Ruth and beautifully written as always. Thank you and Happy New Year x
ReplyDeleteThank you Deborah. A very Happy New Year to you too x
ReplyDelete